—Catherine Ceniza Choy
South Korea plays a central role in the history of international and transracial adoption. What happens when the adopted Korean diaspora returns to the homeland beyond a temporary visit? And what might artistic production by and about Korean international adoptees who have returned to live in Korea say about the history and contemporary state of international adoption?
—Jill A. McCorkel
Season three of Orange is the New Black introduced us to a new character, one that you won’t find on listed among the show’s cast or analyzed in any detail on the many blogs devoted to the series. The character in question is Management & Correction Corporation (MCC), the private corporation that receives a contract from the feds to take over day-to-day operations of Litchfield prison.
Wrapping my head and heart around the murder of 49 queer people while they were dancing in a gay bar in Orlando, beneath the familiar numb feeling accompanying another story of loss, horror, and violence, is survivor’s guilt. I feel an enormous teary affection for all us struggling to digest the consequences of so many queer lives lost in the very place that is supposed to be our haven, and by someone who, had he allowed it, might so easily have been one of us.
—Andrew M. Schocket
What’s especially noteworthy about Hamilton’s recent posthumous pop-culture stardom is that it was launched by a dozen-year-old biography that is once again on the best-seller lists: Ron Chernow’s Alexander Hamilton (2004). How should we think about Chernow’s massive account—currently again one of the top-selling history books in the nation—not only as a biography and work of history, but also at the epicenter of this new Hamilton-mania?